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In my opinion, if you do IDM or the more typical styles of music that most associate with Eurorack, you'll be happier with ErbeVerb. I can't possibly answer in any sort of meaningful way. It has "Stereo Plate" and "SuperHall."Īs to your questions, they are subjective, and dependant on the music you make and your style of work. When reading these, bear in mind that the Eos hardware does not have the "Mono Plate" algorithm. There are about 500 YouTube videos and reviews of the algorithms in almost every major music magazine, so it's pretty easy to find descriptions of what it is used for and examples of it in action. It is designed for Harold Budd / Brian Eno style ultra-long hall reverbs. Would it make sense having both ? or too much overlap?Įos is much, much thicker and more chorusy, and has a way longer tail. But I may have a solution for the whole product line.įatRocky wrote:How different is this module from the Make Noise Erbe Verb? Tl dr: I have no reason to expect that these will behave any differently than the 03 modules. The companies that make them have a 90-100% analog module line, and don't give much of a shit about all of us that make digital modules.)
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(You might have guessed I have zero nice things to say about these PSUs, which are fine for analog modules but totally fucking suck for digital ones. The problem is that I have no real way to test it here without buying a demonstrably crappy system that is expensive and otherwise useless. So what would happen is that the unit will be in a reboot cycle until the sag in those shit PSUs is over, then it would theoretically clean boot. There's a little feature we just discovered where if the unit hard-faults, you can set it to just keep rebooting until it gets a clean start.
VALHALLA VINTAGE VERB REVIEW MUSIC RADAR SOFTWARE
But at the root, it is basically the same design, just bigger in all respects.Īll that said, we think we may have a software solution for the startup sag in the Pittsburgh and Doepfer PSUs. It has a bigger CPU, and a big slab of RAM, and an EEPROM for saving panel states and such, and way more I/O. In any case, the ad-ab-05 backplane is basically a much more sophisticated version of the ad-ab-03 backplane found in the smaller modules.
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I love taking the heat for someone else's shit design. Audio source is a pair of SSF Spectrum oscillators running through the filter/VCA of Boomtschak.Įpignosis567 wrote:Serious question: will this work with the doepfer psu? Love your stuff and wish I could buy it but I have a psu3.
VALHALLA VINTAGE VERB REVIEW MUSIC RADAR CODE
We just haven't added the PWM code yet to dim them. Note that the LEDs will be quite a bit dimmer in the production unit.
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It has random synced LFOs from Sequencer 1 being sent to Attack, Color, Pre-Delay, and the Infinite control. And I moved Decay down to the bottom because, after use, it became instantly apparent that Mix and Decay are the two controls that will be grabbed the most, so I put them in the two easiest-to-get-to spots.Īnyhow, here's an Instagram post I just did while I was testing the CV inputs. The reason I did this is that you can't really tell the modulation is being modded, so there's no point in having it be a CV destination. I'll put up a new mockup with the changed layout soon, but going off the mock in the OP, Decay is now where Modulation was, Modulation is now where Pre-Delay was, and Pre-Delay is where decay was. I'm pleased to report that after some optimization we were able to give pre-delay a CV jack spot. Took a couple days to rebuild the code to run on the new panel, but all is right with the world now. Adam built the prototype panels last week, and I got mine on Wednesday.